IMA Minigolf

IMA Minigolf

These two holes were featured as part of the Indiana Museum of Art’s artist-designed miniature golf courses for the 2016 and 2017 seasons. Curated by Scott Stulen + Tom Loftus and Robin Schwartzman (aka A Couple of Putts), these open air interactive exhibits were enjoyed by tens of thousands of IMA visitors.

Massacre made no impression on their countless numbers...

The Shadow-Tailed Scourge hole (designed for 2016 and held over for the 2017 season) is a playful send-up of an historic squirrel invasion: In the fall of 1822, a westward migration of squirrels across the state of Indiana decimated crops and caused immeasurable damage to farmland. Many farmers lost whole cornfields to the freakish plague of squirrels.

I didn't choose the pond life; the pond life chose me...

P. caudatum

Pond Life imagines a Paramecium Caudata grown to monstrous size. Paramecia, from the kingdom Protista, are extremely common single-celled organisms found in fresh and salt water environments all over the world. In the wild, paramecia rarely grow longer than .25mm. This specimen, at nearly ten feet long, is over 1200 times larger. At the scale of a more typical paramecium, the Alliance Sculpture Court would be only two inches long, and the entire IMA would fit in the palm of your hand!

object
Media: plywood, Sintra, resin, foam, turf
Dimensions: 12' x 12' (Scourge), 10' x 6' (Pond Life)
Year: 2016-2017
Role: Co-Designer (with Beth Eby as Pixels + Plywood)
The squirrels in production

© 2018 chad eby

Long ‘A’ Says Its Name

Long ‘A’ Says Its Name

Without a body, the alphabet hovers like a hungry ghost above a stagnant well, wailing in an eternal twilight

Dale Pendell, The Language of Birds

Long ‘A’ Says Its Name is a piece standing squarely at the confluence of written and spoken language.

The work dismisses the 21 consonants and sometimes-vowels, and unites the sound of the long vowels (through utterances captured by spectrograms), the names of the vowels (through their eponymous pronunciation), and the visual forms of the vowels (through sonified graphic letterforms). More importantly, Long ‘A’ both overdetermines and hyperrationalizes the breath by inscribing it in a technologized graphic form, while at the same time insisting on a particular and non-generalizable image of an utterance that perturbs and destabilizes a classic letterform—all in a way that recreates the mystery of speech and invites the reader’s completion for comprehension.

The verticality of the vowel images are due to the mapping of the frequencies and time—the voice is female, and so the spectrograms rise quite high in proportion to the width of the characters. The cylindrical shapes are reminiscent of Edison’s original phonographic cylinders, as well as seal cylinders designed to roll across wax or clay (leaving a repeatable impression in a very early form of printing), but more importantly, the forms allow one to walk among the vowels, creating relationships between the columnar prints and one’s own body.

object
Media:PVC pipe, large format digital prints
Dimensions: 300 cm x 15 cm x 15 cm
Year: 2007/2008
Spectrographs

© 2018 chad eby